And because by using the relevant melodic minor scales you remove all the avoid notes found in the harmonic minor scale.the melodic minor scale was used for melody.the harmonic minor scale was used only for harmony (i.e.Because traditionally and as the names imply.While the former may sound simpler, in practice most Jazz musicians would use the latter. Some common ones are shown below as well as the appropriate scale to use when improvising over the I chord.Īs we discussed above, we can use one harmonic minor scale or three melodic minor scales to improvise over a Minor II-V-I. While we can call the above a ‘pure’ Minor II-V-I, often you will find the minor II-V followed by a I with a different chord quality. While not ‘pure’ Minor II-V-I’s, these are found in many Jazz Standards. This means we can use one harmonic minor scale or three melodic minor scales to improvise over a Minor II-V-I. From three different melodic minor scales.Short name (without a leading note) and number of chords of a given type are given in and the () respectively. Chords in this section are usable with any mode of this scale. This chord progression can be derived in two different ways: Various chords for G Harmonic Minor scale. In the key of C Minor, a Minor II-V-I would have the following chords:
![g harmonic minor scale g harmonic minor scale](http://www.discoverguitaronline.com/diagrams/65.png)
However, another very commonly used chord progression is the Minor II-V-I. Most of us know the Major II-V-I (although we will cover it in more detail in an upcoming lesson).This is one of the most commonly used chord progressions in Jazz.